Suisse Screen is a sans serif made with high legibility in mind, and offers one more aesthetic choice within the Suisse typeface range. Ranging oldstyle figures which blend in better with the lowercase can be activated via OpenType features. Suisse Works has lining figures by default. It can be used in situations where the Regular is just too light – think of glossy paper, negative text, or smaller sizes on screen. The Book weight sits between the Regular and the Medium, and is only a notch heavier than the former. Suisse Works’ forward-looking attitude is exemplified by the absence of upward-pointing serifs in C, G, S, or the a’s terminal that doesn’t carry a ball but instead is horizontally cut – a feature it has in common with Suisse Int’l and Neue. It’s more sophisticated than the transitional serif typefaces of former times, though, with smoother, consistent details and balanced proportions across all styles. With its tapered serifs and the pronounced contrast along a diagonal stress axis, Suisse Works stands squarely in the tradition of classic reading faces. At the same time, Suisse Works is elegant, too: Especially the italic and bold styles introduce an expressiveness that may serve for catchy titles and headings. Thanks to the efficient spacing, it’s a smart choice for longer texts, in newspapers, magazines, and beyond. The sturdy build provides for an even texture. It’s characterized by wide capitals, a very large x-height, and open apertures, guaranteeing superb readability both in print and on screen. Suisse Works was developed as a serviceable text serif for the 21st century. There are no limits in regard to the number of uses, domains, or website visitors. By the way: At Swiss Typefaces, one license purchase secures you the lifelong right to use the fonts for print, websites, apps, e-publications, broadcasting, and more. And it’s truly international: The current version supports Latin, Cyrillic, and Arabic alphabets, all in one file, for one price. The collection comprises 18 styles: 9 weights from the chic Ultralight to the forceful Black, all equipped with italics. Whether you want to perpetuate their modernist approach, whether your design references this aesthetic in more playful, even ironic ways, or whether you’re just looking for a plain, hard-working sans serif – Suisse Int’l won’t let you down. Suisse Int’l is the present-day equivalent of the type used by the pioneers in Switzerland and beyond. Also known as International Typographic Style, it’s characterized by sans serif type typically set flush-left, in grid-based layouts that are derived from the content. This movement emerged around the schools in Basel and Zürich in the 1950s and aimed to present information objectively. It’s the typeface of choice for any designer who’s fond of the Swiss Style and its legacy. Suisse Int’l is the best Swiss Grotesk available in digital form. Suisse combines classic style with cutting edge design quality and the most user-friendly license. Comprised of 6 collections with a total of 55 styles, Suisse is a utilitarian font set that covers all basic needs of the contemporary typographer, from Suisse Int’l, the go-to Grotesk with its monospaced and condensed companions, to the sturdy text serif Suisse Works, the clear-cut sans serif Suisse Screen, and the reliable slab serif Suisse Neue. The closest you may come to the exact HelveticatNeue on the Macintosh may be available from Monotype or Linotype on-line at their web sites.The Suisse typeface forms the centerpiece of the Swiss Typefaces library. In this particular case, having a slightly different name is probably for the best if you can't get the exact same font, because it will force you to look for any problems that the replacement font may cause (slightly different metrics, styles, etc.).Īs far as I know, Apple does not license its version of HelveticaNeue for use on other platforms and even if the font is in OpenType or Windows TrueType format and could be copied to a Windows system, you are probably in violation of the licensing conditions for that font under MacOS X. that share the same names, but are slightly different. There are hundreds of different variants of Helvetica, Times, Arial, etc. The name might not match exactly (actually, probably won't match exactly) and you may need to make adjustments in your document to use name of the font that you do license.įWIW, your experience is not uncommon. Unless you get the font file itself from whoever created or last worked on the document and used that font (assuming that the font is either an OpenType or a Windows format TrueType font and that you can legally use the font), you may need to separately license Helvetica Neue from any one of the font foundries with a Helvetica Neue family.
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